For a home studio setup, or if you’re shooting indoors on location, there’s no beating the power and versatility of a conventional mains-powered studio flash kit. Top options include the Elinchrom D-Lite and Interfit Honey Badger twin-head kits, which are fairly compact and easy to carry around, yet quick to set up and simple to use. But they’re no use if you’re on location with no access to a mains electrical outlet.

A growing range of battery-powered ‘location flash’ kits are now available, based on the same kind of IGBT (Insulated Gate Bi-polar Transistor) technology as regular flashguns, but with similar power to a studio flash head. Supplement the kit with a dedicated hotshoe-mounting trigger, and you’ll also get the bonus of automatic TTL (Through The Lens) flash metering and HSS (High Speed Sync) flash for shooting with fast shutter speeds.

The not-so-secret third option is to go for a constant light. The  led panel light are relatively cool-running and give fairly strong output, although they’re much less powerful than a flash head or regular flashgun. Maximum output is measured in Lux, usually at a distance of one metre, and the quality of light is measured in CRI (Colour Rendering Index). Plus points include a ‘what you see is what you get’ approach to lighting a subject and, when shooting video, constant LED lighting is perfectly viable whereas a flash head will be entirely useless.


is a range-topping kit that includes a pair of 400Ws flash heads, sturdy stands, a 66cm square softbox, a 56cm octagonal softbox, and a translucent deflector that enables a beauty dish effect.

The included EL-Skyport Transmitter Plus radio-frequency trigger enables users to adjust flash head settings remotely and has a range of up to 200m. Alternatively you can upgrade to the Elinchrom HS Transmitter, which also offers high speed sync flash. Alternative save modes include triggering from a flashgun, and ignoring any pre-flash pulses. 

Elegant and intuitive, the push-button control panel offers easy adjustment of power output through a 5-stop range, in 1/10th stop increments. Selecting proportional, full, low and no modelling lamp output is similarly simple, using a conventional 100W bulb. An auto-sensing cooling fan is built into the head. Output is remarkably consistent on a shot-to-shot basis, and power adjustments are highly accurate.